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Wonderfully hyped throughout by Supastar J. Gucci himself called it one of his biggest mixtapes it was his first mixtape to chart and it remains a cult favourite today. No Pad, No Pencil While the critical apparatus has somehow forgotten the impact of No Pad, No Pencil, the mixtape was huge at the time. And by the time this mixtape came out, released after a string of compilation tapes while he was serving time, Gucci was back on top of the mixtape game, blanketing us in his warm Southern presence. If Writing on the Wall represents anything, then, it's that the quintessential Gucci - the Gucci that most of us know best and love most - never settled to get where he was. His voice in was arguably its most masterful and realized it was less rough and diffuse, more urgent and exploratory, his bizarre enunciations trumped by his emphasis on intonation and cadence. But listen to Writing on the Wall immediately after Gucci's debut tape Chicken Talk a flash-forward that jumps two and a half years and 12 mixtapes and you can clearly hear just how much Gucci had evolved as an artist. Writing on the Wall One benefit of releasing music at such a frantic, breakneck pace is that any stylistic changes that occur sound natural and organic.
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It was, in short, a statement of purpose, and everyone - including Jeezy, who was called out on it - was listening. In this sense, Chicken Talk is neither a good entry point nor a proper example of Gucci's talents, but its bass and hook heavy aesthetic kickstarted one of the most dizzying mixtape runs in rap's history.
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